Periphery 1

Through a painting process refined over nearly three decades, Ekholm builds up transparent and translucent layers, creating moments of depth through a controlled surrender that allows chance and precision to coexist. Images slowly emerge as she builds up, dissolves and rubs the surface until the final image reveals itself. Each gesture becomes a kind of trace—of breath, time and an inner landscape.
“My work emerges from an intuitive process that unfolds directly on the canvas. Each painting develops through a slow, attentive dialogue between gesture, material and an evolving world of perception. The images that surface are fluid and atmospheric, suggesting movement, light or natural forces without settling into a fixed form. Viewers often describe entering a space that feels familiar yet elusive—a place where associations arise, dissolve and take shape anew.”
This openness is essential to the work. Rather than presenting a defined narrative, the paintings invite a contemplative encounter, allowing each viewer to engage with the work through their own inner landscape. Working with fast-drying acrylic and water, Ekholm builds layers that are repeatedly washed away, rubbed back or reshaped. Chance and precision coexist as the image gradually reveals itself. A single area may be revisited for days, guided by instinct rather than intention. The process is meticulous, immersive and driven by discovery.
A restrained palette keeps the focus on movement, tone and the subtle shifts that shape the work’s internal rhythm. The surfaces hold a quiet complexity—layered, dimensional and alive with traces of their making—drawing the viewer into a slower, deeper engagement.
“My work resists definition. It originates not in language, but in breath, rhythm and the gradual emergence of form. Each painting becomes a record of time and presence—an experience to be felt rather than explained.”