
Veronica Österman
Veronica Österman
The interplay of light, shadow and colours are the central elements in Veronica Österman’s art. She first understood the effect of light on colour and form when studying at Helsinki’s Free Art School.
In Veronica’s paintings, light accentuates lines and shapes, it moulds the space softly and creates a hazy atmosphere. Bright light highlights a building’s contours and pierces the windows.
Veronica’s cityscapes lie somewhere between faithful portrayal and abstract art. Her colour palette has been compared with that of Finnish painter Helene Schjerfbeck, and her style shares some of the sensibilities of Turner and Monet.
The urban motif began appearing in Veronica’s work soon after she completed her eight years of formal training. It is no wonder, as Veronica has lived in Helsinki most of her life, and the landscape most familiar to her has always been urban. The clean lines of buildings give the space a particular energy, an edge. ”A painting should not be too beautiful, you need something to grasp hold of” Veronica says.
For this reason, imposing industrial cranes have found their way into her paintings. Nowadays, Veronica is painting at her studio at the Cable Factory in Helsinki.


SAMALTA TAITEILIJALTA
UUDET


Golden sand 2
23 × 29 cm
Golden sand 1
23 × 29 cm
The adventure
50 × 50 cm
She grows
38 × 46 cm
The house of the dancers
40 × 40 cm
Calm before storm
130 × 110 cm
Peaceful
80 × 65 cm
The night
50 × 60 cm
Power cut
40 × 50 cm
Endless
120 × 170 cm
Valve
36 × 48 cm
Blue
33 × 46 cm
Around the corner 2
80 × 65 cm
Spaces 2025
120 × 130 cm
Grand Popo
38 × 48 cm
Changing neighborhood
100 × 100 cm
Transformation
120 × 160 cm
Changes
90 × 130 cm
Firenze
40 × 50 cm
Sunset
60 × 100 cm
In the air
80 × 66 cm
The factory
100 × 90 cm
Around the corner 1
65 × 80 cm
Reconstruction
130 × 170 cm
Secrets
40 × 40 cm
The wall
140 × 110 cm
Misty
50 × 70 cm
Villa Cielo II
60 × 60 cm